About the Author

Jerry Pinkney has been illustrating children's books since 1964 and has the rare distinction of being the recipient of-Five Caldecott Honor Medals
Five Coretta Scott King Awards
Four New York Times Best Illustrated Awards (most recently 2006 Little Red Hen)
Four Gold and four Silver medals from the Society of Illustrators
Boston Globe Honor Book Award (John Henry 1994)
In addition to his work on children's books, he is an extremely successful artist who has had eleven one-man retrospectives at venues ranging from the Museum of the National Center of Afro-American Artists to the Art Institute of Chicago. His current one-man show entitled, "Building Bridges, the Art of Jerry Pinkney" was organized by the Pittsburgh Children's Museum and will be traveling through 1998. Mr. Pinkney has illustrated for a wide variety of clients, including National Geographic , the National Parks Service, the U.S. Postal Service, the American Library Association and the Association of Booksellers for Children.
Born in Philadelphia in 1939, Jerry Pinkney states, "(I) took an interest in drawing very early in my life, and at some point I realized I'd rather sit and draw than do almost anything else." While growing up in the Germantown section of Philadelphia his interest in art was supported by hisfamily -- especially by his mother. "She certainly understood me and made it clear to everyone that if art was what I wanted to pursue, then that's what she wanted to have happen. My father also became very supportive, and when I wanted to take art classes after school he found ways for me to attend."
In junior high school Mr. Pinkney had a newsstand and took a drawing pad with him to work every day and sketched passersby. That was how he met the cartoonist John Liney, who encouraged him to draw and showed him the possibilities of making a living as an artist.
After graduating from the commercial art program at Dobbins Vocational School, where he met his wife, author Gloria Jean Pinkney, Jerry Pinkney received a full scholarship to attend the Philadelphia Museum College of Art (now University of the Arts). While at PCA he and Gloria married. After their first child was born, they moved to Boston, where Mr. Pinkney worked as a designer at Rustcraft Greeting Card Company, and at Barker-Black Studio where he developed his reputation as an illustrator. Eventually he opened Kaleidoscope Studio with two other artists. Later he opened his own freelance studio -- Jerry Pinkney Studio -- and moved to New York. Sensitivity to and an interest in a variety of cultures has always been a dominant theme of Mr. Pinkney s work. He has also drawn inspiration for a significant part of his work from African American culture. Among his numerous projects are his twelve postage stamps for the U.S. Postal Service Black Heritage series. Mr. Pinkney was a member of its Advisory Committee for ten years and he was also invited to join the NASA artist team for the space shuttle Columbia. "I wanted to show that an African American artist could make it on a national level in the graphic arts. I want to be a strong role model for my family and for other African Americans."
Many of Mr. Pinkney's children's books celebrate multicultural and African American themes. "Working on both the Uncle Remus tales and John Henry has shown me an important link between pivotal and opposite African American folk heroes. Brer Rabbit, the sly trickster, originated during slavery and was the first African American folk hero. Slaves who wanted to get the better of their masters needed to be cunning and sly -- hence the trickster role. However, later comes John Henry, a free man, whose strength and valor bring him fame. He was a strong folk hero for African Americans, a symbol of all the working men who made a major contribution to the building of the roads and railroads in the mountains of West Virgi

Reviews

K-Gr 3‘This beautifully illustrated and moving fictional story can be used to introduce Harriet Tubman and the injustice of slavery to young audiences. Minty (Harriet's "cradle" name was Araminta) is a spirited child who hides in order to shirk the commands of the temperamental Mrs. Brodas. When she spills a pitcher of cider, the mistress of the plantation throws the girl's beloved rag doll into the fire and sends her to work in the fields. There, she disobeys the overseer by freeing some muskrats from their traps and is whipped for her willfulness. After this incident, Minty's father takes her dreams of escape seriously and teaches her to survive in the wild. She is tempted to take a horse from in front of the Brodas house and to flee, but hesitates and loses the opportunity. Nevertheless, she vows that someday she will run away. An author's note tells of the realization of her dream and her work with the Underground Railroad. Pinkney's illustrations are outstanding, even when compared to his other fine work. His paintings, done in pencil, colored-pencils, and watercolor, use light and shadow to great effect, and his depictions of Minty are particularly powerful and expressive. This is a dramatic story that will hold listeners' interest and may lead them to biographical material such as David A. Adler's A Picture Book of Harriet Tubman (Holiday, 1992) and Ann McGovern's Wanted Dead or Alive (Scholastic, 1991). However, with so many real-life incidents from Tubman's childhood to choose from, one has to wonder why Schroeder decided to create fictional ones.‘Louise L. Sherman, Anna C. Scott School, Leonia, NJ

This fictionalized account of Tubman's childhood on a Maryland plantation provides a cruel snapshot of life as a slave and the horrid circumstances that fueled the future Underground Railroad leader's passion and determination. At eight years old, Minty (so-called as a nickname for Araminta) boils with rebellion against her brutal owners and bucks their authority whenever possible. Deeming her too clumsy for housework, Mrs. Brodas banishes Minty to harder work in the fields. Toiling in the hot sun only intensifies Minty's desire to run away to freedom, and soon her father teaches her how to survive in the wild, so that she'll be prepared to make her break one day. Schroeder's (Ragtime Tumpie; Carolina Shout!) choice of lively vignettes rather than a more traditional biography is a wise one. With color and feeling he humanizes a historic figure, coaxing readers to imagine or research the rest of the story. Pinkney's (John Henry) full-bodied watercolors evoke a strong sense of time and place. Laudably, Pinkney's scenes consistently depict young Minty's point of view, giving the harshness of her reality more resonance for readers. A formal author's note follows the text and both Schroeder and Pinkney have included personal messages about the history of the book project. A firm stepping stone toward discussions of slavery and U.S. history. Ages 5-9. (May)