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Popular Music and Television in Britain
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Table of Contents

Introduction, Ian Inglis; Part 1 History And Heritage; Chapter 1 Constructing The Histories Of Popular Music: The Britannia Series, Paul Long, Tim Wall; Chapter 2 Television Documentary, Pop Stardom And Auto/Biographical Narratives, Ian Goode; Chapter 3 Classic Albums: The Re-Presentation Of The Rock Album On British Television, Andy Bennett, Sarah Baker; Chapter 4 Stone Fox Chase: The Old Grey Whistle Test And The Rise Of High Pop Television, Peter Mills; Part 2 Performers And Performances; Chapter 5 Ready Steady Go! Televisual Pop Style And The Careers Of Dusty Springfield, Cilla Black, Sandie Shaw And Lulu, Adrienne Lowy; Chapter 6 Sworn In: Today, Bill Grundy And The Sex Pistols, Mark Duffett; Chapter 7 Indie On The Box: The Contribution Of Television To UK Independent Music From C86 To Britpop, Rupa Huq; Part 3 Comedy And Drama; Chapter 8 Dad's Army: Musical Images Of A Nation At War, James Kearney., Sheila Whiteley; Chapter 9 Little Ladies: Rock Follies And British Television’s Dramatisation Of Rock Music, Peter Hutchings; Chapter 10 Pop Half-Cocked: A History Of Revolver, Richard Mills; Chapter 11 A Sunken Dream: Music And The Gendering Of Nostalgia In Life On Mars, Estella Tincknell; Part 4 Audiences and Territories; Chapter 12 Here, There and Everywhere: Introducing the Beatles, Ian Inglis; Chapter 13 Granada TV, Johnny Hamp, and the Blues and Gospel Train: Masters of Reality, Mike Brocken; Chapter 14 A Postman Mans Up: The Changing Musical Identities Of Postman Pat, Nicholas Reyland;

Introduction: popular music and television in Britain, Ian Inglis; Part I History and Heritage: Constructing the histories of popular music: the Britannia series, Paul Long and Tim Wall; Television documentary, pop stardom and auto/biographical narratives, Ian Goode; Classic Albums: the re-presentation of the rock album on British television, Andy Bennett and Sarah Baker; Stone fox chase: The Old Grey Whistle Test and the rise of high pop television in the UK, Peter Mills.; Part II Performers and Performances: Ready Steady Go! Televisual pop style and the careers of Dusty Springfield, Cilla Black, Sandie Shaw and Lulu, Adrienne Lowy; Sworn in: Today, Bill Grundy and the Sex Pistols, Mark Duffett; Indie on the box: the contribution of television to UK independent music from C86 to Britpop, Rupa Huq.; Part III Comedy and Drama: Dad's Army: musical images of a nation at war, Sheila Whiteley; Little ladies: Rock Follies and British television's dramatisation of popular music, Peter Hutchings; Pop half-cocked: a history of Revolver, Richard Mills; A sunken dream: music and the gendering of nostalgia in Life on Mars, Estella Tincknell.; Part IV Audiences and Territories: Here, there and everywhere: introducing The Beatles, Ian Inglis; Granada TV, Johnny Hamp, and The Blues and Gospel Train: masters of reality, Mike Brocken; A postman mans up: the changing musical identities of Postman Pat, Nicholas Reyland; Bibligraphy; Index.

About the Author

Ian Inglis is Reader in Popular Music Studies at Northumbria University, UK. His previous books include The Beatles, Popular Music And Society: A Thousand Voices; Popular Music And Film; Performance and Popular Music: History, Place And Time; and The Words And Music Of George Harrison. He is currently preparing The Beatles And Hamburg. Ian Inglis, Paul Long Tim Wall, Ian Goode, Andy Bennett, Sarah Baker, Peter Mills, Adrienne Lowy, Mark Duffett, Rupa Huq, Sheila Whiteley, Peter Hutchings, Richard Mills, Estella Tincknell, Mike Brocken, Nicholas Reyland.

Reviews

'... this text goes a considerable way towards realising its stated aim of creating a touchstone work for the analysis of popular music and British TV.' Popular Music

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